Le Commandant sails the high seas, in search of an island
which legends say is inhabited by giants…
Chapter I
The first chapter is a 17min odyssey oscillating between a laid back Lalo Schifrinesque opening, mysterious late 60’s film noir soundtracks and enchanting grooves.
The visual and piano sketches accumulated through the years helped him build a storyline for this warm and sophisticated 6-tracker: each track skillfully illustrates a chapter of Le Commandant Couche-Tôt’s discovery of a mysterious island and risky encounter with its inhabitants.
On this record, Anthony Malka had the pleasure to collaborate with a few of Berlin’s finest groovers such as Hervé Salters from General Elektriks who offered a memorable Whammy-powered clavinet solo on S.O.S. , as well as jazz guitarist Paul Audoynaud who brought a very cinematic and richly-arranged touch to the tracks. A lot of attention was given to details during the recording process, creating this intimate “Berlin DIY” sound.
A nostalgic soundtrack to a vanished France from the late 60s.
Somewhere between Francois de Roubaix, Serge Gainsbourg and Air.
People Say
« Le Commandant Couche-tôt nous embarque à bord d’un vaisseau fantasmé, navigant dans le sillage de Serge Gainsbourg le temps de quelques envolées instrumentales. »
— Radio Nova
« …something of Vulfpeck and a reminiscent of 70s cinematic music plus a hint of Brazil »
— London Jazz News
«Le Commandant Couche-Tôt gelingt ein ganz großer Wurf in Sachen instrumentaler Black Music-Coolness und ein kleines Meistwerk in Sachen Soundtrack-Reminiszenz an die glorreichen und unerreichten Siebziger Jahre »
— Soultrain Online